Aiden Edgar | Musician @Mayflower
Aiden Edgar
- in music we’re learning about vocal health and singing in a healthy way: As a trombonist, are their things you need to do to look after your voice and instrument?
- We’ve learnt that having the correct posture helps us to sing better and keep our voices safe: Is posture important for playing the trombone?
- In music we’re learning about the pulse and keeping a steady beat: In a brass band, how do you make sure you keep in time with the rest of the musicians?
- One thing we’re finding difficult is continuing our beat whilst other rhythms are being played: Do you have any advice for playing your part whilst not being distracted by the other parts being played?
- In music we use tonic solfa as an aid to improve our pitch accuracy: as a trombonist, how do you ensure that you’re sliding the slider to the correct position for the pitch you need
- This term we’ll begin to transfer our singing skills and musical application to tunes percussion: are there skills on the trombone that you can transfer to other musical instruments?
- As we’ve moved into Y4 we’re beginning to explore how to read more complex rhythms such as beamed notation with mixed durations: Do you have any tips for reading, learning and playing complex rhythms?
- Are there any rhythms that are impossible to play on the trombone?
- In music we’re learning how by using syncopation, we can make our compositions more interesting: Are there other ways that you utilise to make your music interesting?
- We’re exploring major scales through the voice, glockenspiel and keyboard: are their scales on the trombone that are more difficult to play than others and which is your most and least favourite?
- We use patterns to remember the major scale, for example WWHWWWH on the keyboard or glockenspiel: Are their certain patterns you use to remember the scales on a trombone?